from californias underground scenes and dicey juke joints, to big stages and international tours, angel city outcasts have come to be known as a unique and imaginative entity that continues to win over fans from allover the world. kicking ass and taking names while shrouded in myth and lore, angel city outcasts is the clint eastwood of rock bands!

first on decks.de!! achtung! hose hoch, kotelett & zadak auf den teller, hüften schwingen, und der hulahoop-reifen tanzt von alleine!!

to support his just released alien artform album, delsin puts out the 2nd dimension 5 12. this 3 tracker continues where the lp version left us: 3 brand new tracks (only network was released on cd only). this one comes for the dancefloor. it opens with dark city, an haunting, melodic 4-floor techno track with those old skool drum sounds. dope! the b-side holds 2 tracks in the same vein, where music box film-esque, like derrick may used to do, and gradually builds up. network is a more soulful tracks, playing around with some nice synths and reminds of old insync / irdial stuff.

when being into collecting records for more then 20-25 years there is not much left that can be considered the holy grail of house music... so we wont call this a holy grail. however for us its a track which was impossible to find because it was simply not released! only a hand full white labels on dj international have been floating around, but it never got a proper release. finally we managed to get the rights and more important a proper old recording of sterling voids instrumental version of serve it up. his first ever recording done in chicago, 1987!

2010 repress !!! it seems that tevo comes out of nothing delivering some house tracks that are as hot as they can get! as a teenager tevo was brought up in chicago during the haydays of house music. and there is no doubt that this left a deep impression on him! this record is another stomper with 5 basic tracks that have that same magic as early house records from the 80s! his first release on bgr was already picked up by several hot international djs and this one might even be better! great great record!

this is the 2nd of the individual shake 12 inch series, taken from the frictionalism compilation released earlier this year. part 2 features four stone cold shake classics, arise, simpatico, the fake left. go right plan and mr. gone is back again. this is what they call value for money, folks! comes with different artwork from the limited box set.

split over two vinyls to ensure maximum sonic quality and complete with beautiful hand drawn illustrations from yuko kondo (directed as ever by our own peter saville, phantom), it picks up where hands of love left off

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on “vibra” the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james’ “spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it’s that vibe! . “flexa” starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today’s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there’s plenty of soul and sol, just in time for summer.

after two critically acclaimed home grown releases, get the curse music turns to photonz of lisboa on plage of the new age ep. going against the grain of current trends, this out of left field ep testifies to gtcms disregard for pigeonholing and unique flair for unconventional club music. after two critically acclaimed home grown releases, get the curse music turns to photonz of lisboa on plage of the new age ep. going against the grain of current trends, this out of left field ep testifies to gtcms disregard for pigeonholing and unique flair for unconventional club music.
supported by dubfire, john digweed, konrad black, ivan smagghe, stephan bodzin,oliver huntemann, dominik eulberg, adam beyer, deetron, secret cinema, darko esser, gregor tresher, ...

the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterpartys in their very own intimate and very special basement, they decide to call their basement bar27.

south london boy jitterbug drops his 2nd ep on uzuri after his well received debut >raw winter< early 2009. he pretty much continues where he left off. raw, deep cuts, strictly for the heads with even more attention to the detail. taking in disco, via chicago, detroit and london! a self assured 2nd ep and strictly unmissable!

put your seatbelts on! after hitting toys in slow motion, bot.ox puts it into gear and takes to the autobahn, with uptempo drums, mad synth lines and freaky naive melody at the next left turn. >overdrive< could have been a perfect horror movie soundtrack, something like the pop corn theme covered by d.a.f.

yore returns with the 3rd release on the yore limited series. 300 limited copies in green transparent vinyl. a beauty musically and for the eye. orlando b. favours the kind of funky and raw-sounding techno that flourished during the late-’90s and early-’00s and so naturally invests his maiden voyage on the yore imprint with the same kind of classic soul that renders that earlier era’s sound so appealing. ” beneath the surface ep ” largely focuses on warm house grooves. “a feeling” dishes out eight minutes of classic deep house that’s also as funky as hell. a subtle latin percussion vibe sneaks in at the beginning but quickly enough the tune rolls out a warm house strut that dominates thereafter, piano sprinkles, lush strings, and a crisp, hi-hat-spun groove give the tune added style and flair, as does the insistence of the titular vocal sample. “esoteric” digs into a steamy, bass-driven house beat that’s both raw and funky, then slathers it with a synth solo that squeals with delight, while “new york tale” smoothens its techno core with warm chords and delicious house swing. “mj12&#8243,,,, is the coolest and most techy cut on this diverse four cut ep. orlando b. sprinkling billowing dub chords and a spoken voice sample over a rock-solid tech-house base that will go straight under your skin, when it hits you on the dancefloor. 300 copies left still. go grab yours before it’s too late

argenis brito and los updates. two of the most left -field exponents of chilean dance music armada get together on vinyl. argenis, born in venezuela, was given a chilean club passport by luciano, pier bucci and villalobos a long time ago due to his outstanding services as a producer, singer and overall party raiser. he met los updatess boss jorge gonzalez in new york in 1994, while attending a wu tang clan show. on this brand new release they offer >valparaiso< and >don t take candy from strangers<, you can smell the delicious scent of an instant classic emanating from the deeply grooved wax

worship recordings with another solid ep release, this time featuring cuts from chris udoh and gary beck. udoh is up first with >hear da muzik<, a driving house gem with a definite dubby flavor, as delays are left to run over solid drum patterns, strong chords, and a rumbling bassline. on the reverse, gary beck keeps the dubby house theme rolling with >stick to the reggae<, which has more of a skank to its rhythm, as dubby delays are again left to exploit stellar percussion, stabbing horns, and a wandering bassline.

who said the wait wouldnt be worth it? the brothers in house fritz zander and sven von thülen have made themselves somewhat scarce over the past year. after having impressed in 2008 with their ep >get up<, remixes for artists including ratman, elphine and oorsprong, and tracks on the watergate 02 compilation, their audible activities the following year remained confined to fritz zanders superb 12 inch >connection< and successful compilation appearances on >ten years cocoon ibiza< and >time warp<. now there is finally something new, and the current zander vt release certainly lives up to the promise of its title: >some more< picks up where >get up< left off. its fourno-frills house pearls prove resoundingly that continuity doesnt have to entail standing still.

nice price deal !!! we got a handful of these left if you need any, old but very nice release!!

kurbits 004 marks the return of dan andrei who brings the romanian dirt with two dusty, percussive techno tools. first out on the label side is ramble on, an old school house rhythm. driven by a shaker in a jacking groove and topped off with a rambling vocal about nothing at all, because after all these vocals about >house music<, whats left to say? just put the track on and get the groove on! four sticks on the info side is a straight up techno banger built on a rolling house groove. no funny business, just a sublime percussion workout with little but essential hints of melody to let you catch your breath, then straight back to the groove! we sincerely hope youll have as much pleasure with these tracks as we are. well be back soon with new and exciting rhythms. happy mixing!

basti grub is a specialist for extraordinary and outstanding productions. loving music from his early childhood on. he seems to have a different approach to electronic dance music. these 3 tunes here are combining afro beats with wonderful rhythm driven latino tech house sounds, spanish guitars and smooth but subtle vocals and melodies. its also a bit different from his usual productions concentrating more on rhythm & drums than usually. he left certain elements and hooks out to let the groove develop and this is probably the best thing he could ever do.

awesome 3 x lp with picture sleeve!! lush, warm detroit sounds from heavyweight producers! a real standout release - strictly limited copies, only 100 left !!

get ready for an analog ride. these 80s multi tracks are all we have left from creative mind, crunch. hurricane katrina wiped out the home studio and master recordings. now back from the bayou, every struggling sound, tape flutter, and disco hiss are re released on vinyl, and sounding extra dirty.

formula recs digital has the great pleasure of putting on the market, the last production from tenerifes jose armas, called travieso. high-quality tech-house sound with influences that predominate in central europe with powerfull groove.accompanied with remixes from more people of the canary islands, carlos sanchez & dj ray, newcomers who have left their mark on productions in the german label superfancy and javier carballo, a classic in the island of gran canaria, which will give plenty to talk about in his facet as a producer... the revolution is served!

back together once again, the production powerhouse that is lake & lys return to rising music for another piece of peak time, dancefloor madness. humanica picks up where la tromba left off, a huge track featuring a harmonica played by dirty vegas steve smith, backed up by driving synths, heavy percussive drums and the trademark sawtooth lake bass line. sloane, on the other hand, is a classic old skool groover, chords stabs reminiscent of classic house records push the track, while vintage drum machines are perfectly juxtaposed next to modern pad sounds, all combining to send the dancefloor in to old skool ecstasy.

sistrum steps into 2010 in proper fashion, as patrice scott brings forth his latest sonic artwork in the form of the distance against time ep. picking up where his acclaimed excursions ep (sis010) left off, the three cuts featured here forge ahead into the depths, rewarding those with a conscious ear for quality electronic sounds. check!

12inch debut for whatchawannado, a new label featuring edits by djs who have graced the decks at las infamous do over party. stones throws left field psych man james pants leads things off with an excellent edit of jefferson airplanes white rabbit entitled through the rabbit hole. for the more dancefloor oriented, check the flip where (thee) mike b takes charanga 76s famous spanish version of aint no stopping us now and extends those banging disco breaks for days before finally letting it slip into the vocals.

after its first release rework closer moved bass cadets and techno heads alike, the label returns with some fearless offbeat pressure in round two. a side sun touch aint about cherishing the first sunshine in springtime – rather like a fierce ray of light hitting you right in the eye, darkening everything for a moment. killer broken beats, rumbling subs and a gloomy atmosphere run the program until a nasty acid line takes over and funks things up even further. drain on the flip continues where closer (ams01) left off, the warm synth blanket this time appearing as a melancholic drone sequence over beats syncopated to the max. bonus cut untitled is the 2006 original of a tune bass music heads will be familiar with by now... beats from the machines, heartfelt lfo’d chords and arpeggiated bleeps round off this uncompromising twelve.

great live record from the hamburg based indie band!

back together once again, the production powerhouse that is lake & lys return to rising music for another piece of peak time, dancefloor madness. humanica picks up where la tromba left off, a huge track featuring a harmonica played by dirty vegas steve smith, backed up by driving synths, heavy percussive drums and the trademark sawtooth lake bass line. sloane, on the other hand, is a classic old skool groover, chords stabs reminiscent of classic house records push the track, while vintage drum machines are perfectly juxtaposed next to modern pad sounds, all combining to send the dancefloor in to old skool ecstasy.

jack is back you could say, but he has never really left us. far from it, jack is the godfather of all less productions. modern oldschool house maybe? jeazon its >your deal<, is the real deal, beacause the mood of this track is driven by the vocals which was seemingly recorded in the deepest chicago underground. talking large noising the track is most fun on the dancefloor.
>its not the same< is the candy for the costumer, a potential tech-house hymn, seldom before house vocals were so well arranged with a techno track and merged to a neurotransmitter pushing sound impression.
the enliven deep acoustics remix foils the whole thing with the desired portion of funk and is showing perspectives, jack would have appreciated.

luis flores enters the world of hidden agenda. once home to just productions from label boss dietrich schoenemann and tony rohr, the label has added the likes of misc, shokh+star, bau and metalogic. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and in put into heavy rotation by the likes of chris liebing and speedy j. already he is gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere.

playing and singing together since their school days in west sussex, smoke fairies (jessica davies & katherine blamire) create ethereal, dark and haunting left of center folk and blues songs wrapped in beautiful harmonies with the occasional psychedelic flourish. following an ep and two singles, they now release their first for third man records. the songs gastown and the river song were produced by jack white (white stripes / dead weather)!

last copies left !! be fast!! vinyl only release !! amazing killer tribal madness !! supported by alex celler, monika kruse...

supported by adam beyer, john digweed, dominik eulberg, ewan pearson, perc, danny tenaglia, dave tarrida. roland m. dill is a passionate dj, trained musician as well as bit of a scientist. this release tells a story of psycho acoustics. so expect >low go< to be something special for your ears and for your soul. roland likes chicagomusic and this track has the chicagoesque feeling in it from the beginning. those who remember green velvet will get a hang also on this powerhouse-techno production! this track will be easily fitted in to every berghain dj set and rock the shit out of everyone on the dance floor. dont expect dubbed out lushness, this is serious dance or die action .
the remixes come from prominent producers around europe, so starting chronological from a2 to b2: sian has appeared on a lot on raves and parties with his surf board. he is an international traveller who loves to be reminded of the times when surfing farmers left their houses with door frames and no doors. his remix works in a way a countdown functions. building up tension at an incredible speed, this track is set out to explode... but sian would not be sian if he had not developed a club friendly torture . sian rides the wave of superfatt basslines and adds a sequence that sounds as if someone had replaced his teeth with thin pieces of metal, creating a humming voice comparable to one of a jaws harp. sian keeps the tension going with very few elements and shows he is a true masterof techno.
secret cinema has been accompanying us since his first releases mid of the 90ies and we truly believe quality prevails, not to mention his mayor chart hit just 3 months ago with “shake ur tech-ass”. well secret cinema is unbelievably massive in his production. we dont see how anyone can fatten up the sound more than he can. but it is not only about tuning and pimping and pimping and tuning... his remix is a masters piece of perfectionbecause it creates something rare... deep emotional hydraulic strength. this is like diving head on into a pool of silicone and getting sucked into it. this track has an hypnotic feel to it that is comparable to radiohead.
darko esser is an icon in the techno scene of the netherlands. his remix takes the track in to a direction you would not expect it could go to. starting rather minimal darkos remix soon takes a turn and brings in jack elements and cool nostalgic melodies that will warm the heart of every detroit techno lover. was it derrick may who played chords like this... these strings are looked up in the back of our heads like childhood memories of having your first popcycle exploding in your mouth. this is soulful music with just enough analogue imperfection and warmth to it.

special 2013 price !!! last copies left !!! glf is gene lefosse back again after his production credits on adr12 >this bassline<. best known for his >voodoo< style on imprints cocoon, convolute and stripped. >off the wagon< takes us on a journey. a rolling bass thump starts before swirling synths and mysterious stabs grab hold. a long build pauses the mix and the twist begins. hair on the neck experience. on the flip >tantra< is sexy, intense and very voodoo. a continuous climax for the dancefloor. only found on adr !!

slowly but surely, a constellation of young artists have expanded around ali, basti, philipp santé. in the night, they share the same decks thanks to the newly created souvenir booking entity. during the day, they swap beats and samples in the studio of tiefschwarz located in prenzlauer berg, building up a new creative energy, which is giving birth to the 23rd release of souvenir on vinyl.adam port, re.you and rampa, already had their own shines this year on souvenir. now, its the turn of &me (front room, keinmusik) and fischer & kleber to release a new must-have record permeated with the best groove coming from the german capital city. on the a-side, &me brilliantly hurts with bleed. he punches on the left with an unstoppable drum, weaves on the right with an hypnotic loop, that stirs mental alertness up, barks his anger with a digital whouah going fast and forward and compelling any dancer to incredible footwork. knocked out! robert fischer & niklas kleber had in common an electronic liveact discokonzentrat (high nrising records) and a band spurv laerke before bringing in their new project, fischer & kleber. they set with berki on the flipside the singular but no less enjoyable soundscape of a cathedral under construction. lightening up with deeply felt and almost religious whispers, the shrilling noises of computer-generated machine-tool, the mechanical and cold precision of a pitched down digital rock-drill, the duo turns >berki< into a canticle of the new millennium

rush hour is proud to present a compilation of anthony shake shakirs best work from his own frictional label (and some choice output from 7th city) over the past 15 years. this limited edition 4x12 inch set comes with an exclusive two track 7 inch (only available with this pack). released 2 months in advance of the 3cd/digital formats…
the label shake started brought us some of the deepest, funkiest and most diverse techno of its time and has been surprisingly overlooked by many. after a few years hiatus, shake is now back and will be recording and releasing on frictional again soon.
this compilation includes all of the classics like >arise<, >frictionalized<, >get a feeling<, >my computer is an optimist<, >the floor filler< as well as an unreleased track >the other one<. all tracks have been carefully re-mastered, breathing new life into the original recordings.

a1) aller retour. indeed we do like it very much, when a tune is like a punch – and this one pushes tremendous. underlaid with a sharp kick later, the strongly-held bass line involving from a small stream to an all-compelling stream. on top we receive a very un-christian boot with some oriental like organ-pipes. what more can you expect. oh by the way- there is actually a river in lower saxony with the same name like the track – however has nothing to do with it. b1) nevermind. indicate left and right over. and then a lob shot instead of a straight shot. this is a little what nevermind feels like. an assault from the deep, with a soft climax rather than with brute force. our recommendation for phasing out after an extensive club night

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

throughout the life of bbe very few djs have left a long last impression on our ethos - real music for real people. vincent williams is one of a few active djs today whose versatility and all round knowledge covers so much ground.

handsette recordings return with yet another essential release! having blown up in the clubs and been begged and begged to be released, we now feel its time to unleash the beast that is posthumans lander on the world. lander is a real monster of a track. stuttering rave stabs meet fresh, driving beats and a wall of bass. one of those tracks that make people go, wtf is this? in a club! currently being caned by major djs across the country and getting radio 1 and solid steel show play, this is a big, big track. on the flip, cursor miner takes the track and flips it left, right and upside down! dropping the tempo and changing the emphasis from a stabby rave monster to a bass driven crunky wobbler, it is a fresh take whilst losing none of the energy of the original.

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

phat disco action, last copies left

vinyl only !! its mysterious, its white, its sounds very good, its the insider tip… last copies left….

techno god man-d.a. is back on the road again to make even bigger footsteps than he had left with his release on pre-tone last year - already played by adam beyer, gregor tresher and many more...

support by karotte, 2000 and one, michel de hey, red robin, bart skils, gregor tresher and many others. the whole concept of bar27 existed in an empty basement in amsterdam. in spring 2006 a group of friends starts living together in wich soon seems to be one magic place. within a certain matter of time all ideas, styles, tastes and fantasies started melting together, having one thing left in common, passion for music. after a couple of infamous afterparty s in their very own intimate and very special basement, they decide to call their basement bar27.

legendary underground house producer teams up with ruoho ruotsi for classic deep house with left field techno! 40 year old spoken word by dr. ed robinson titled black rhapsody.

nice price deal !!! this summer example returns with a brand new single, having killed the crowd with the demonic overground club smash (sunday times culture), hooligans, he has left the klaxons behind in favour of the sound of pop and produced one of the biggest tunes to hit the 09 heatwave. watch the sun come up will be released through data records.

special 3x 12 inch edition including full length versions!!! in this version youll have the chance to get the the full length version of celestial, conspirer, los ninos de fuera, africa sweats feat. ali boulo santo and metodisma which arent available on the cd versions of the album